A magazine which showcases compelling, accessible, and culturally relevant work--anything the mainstream is ignoring or marginalizing. This magazine seeks to feature the voiceless in a fascinating and honest way-bring us your pain, your strength, your passions.
NOW OPEN 7 DAYS A WEEK!
Tamara Al-Qaisi-Coleman is a graduate of the University of Houston with dual degrees in both english and history. She was, and is, especially interested in the subject of Middle Eastern Studies. She creates in a variety of genres and media. Her fiction publications include “Naming the Stars” in the 10th issue of Scintilla Magazine, “Akhira” in Issue 1 of Paper Trains Journal, “Gallery Blues” published in The Bayou Review: The Women's Issue. Her essay “Dying as an Immediate but not Permanent Reality in Love in the Time of Cholera” can be found in Glass Mountain, Volume 21. Tamara is also a visual artist, her work has been published in Cosumnes River Journal, and Sonder Midwest Review. She was the creator of Shards Magazine, and maintained chief editorship for the inaugural through sixth issue of that publication.
CHRISTOPHER MIGUEL FLAKUS
Christopher Miguel Flakus is a poet and writer living in Houston, Texas. He has published work in The Huffington Post, Akashic Books: Mondays are Murder Noir Series, Indietronica, Outlaw Poetry, In Recovery Magazine, Glass Poetry, Black Heart Magazine, and elsewhere. In 2017, he was awarded the Fabian Worsham Prize for fiction. In addition, he was one of the editors responsible for The University of Houston-Downtown’s literary magazine, The Bayou Review during their special prison issue which focused on the writings of authors serving sentences in Texas prisons. He is the author of the chapbooks Bear Down Into Hell With Me (As Only a True Friend Would), and Thirst, and Other Poems through Iron Lung Press, and the chapbook Christiana, from Analog Submission Press. He grew up in Mexico City and writes in both English and Spanish. He is currently working on his first novel.
Vinh Hoang lives in Houston, where he pursues writing, film-making, and acting. He graduated with a B.A. in English from the University of Houston. Forthcoming is a short film he directed, Continuing (2019). In 2018, the University of Houston Office of Undergraduate Research awarded him a Summer Undergraduate Research Fellowship, in which he pursued research regarding MFA programs and their effect on American fiction. He was a twice honorable mention for the University of Houston Provost's Prize for Creative Writing. He has work published in Glass Mountain. He is a member of MAX, the house troupe for BETA Theater Improv.
Miranda Ramirez is a writer of poetry, prose, and creative nonfiction as well as an active visual artist. In all endeavors she seeks to marry her passions for social activism, art, and literature. As an individual she is incapable of being content in a single art form and feels that any attempt to do so is a fallacy in and of itself. In light of this passion she has founded Defunkt Magazine—a place that she hopes will provide a pulpit to the voiceless and offer a unique space for the amalgamation of various art forms. The intrinsic goal of this endeavor being to deliver an alternative perspective of the local community here in Houston. As a biracial American she struggles to find her place in said community--being consistently pulled towards two cultures historically set in opposition of one another. She considers Defunkt a safe haven for like-minded/experienced individuals. Her own works both visual and written provide a jaded reflection of this experience. You may find her publications in The Bayou Review: The Women's Issue, Ripples in Space: Science Fiction Short Stories for Fall 2018, Glass Mountain, Vol. 20, 21, 22, and within their online publication: Shards, Issue 3. Be sure to look for her latest publication: "Exploring the Paralleled Multiracial Experiences in Ceremony and Borderlands" in Coffin Bell’s fourth volume. Her visual works have been exhibited at Williams Tower Gallery, Tea+Art Gallery, and Insomnia Gallery. She is also a member of MAX, the house improv troupe for BETA Theater.
Brenna Rogers is a native Houstonian who was always drawn to the arts. She pursues both visual and performance art, and is currently studying Sculpture at the University of Houston with a minor in Art History. Her work is inspired by fantasy, gore, the body, and pattern. Her work intends to explore ideas around being uncomfortable or misunderstood. She is interested in work that lifts the veil off of what our society usually hides, creations that come from the subconscious. Her work has been shown at the University of Tianjin in China, The House of Blues in Houston, Hardy and Nance Studios, Notsuoh, Ahh Coffee, and Melange Creperie. She has performed with Phobia Haunted Houses for their 2014, 2017, and 2018 seasons, and also runs the University Improv Club at UH. You can find her getting boba or working away in her studio.
Keagan began his love of writing as a musician, but as he moved through the UH Creative Writing Department, he became more interested in poetry. His poetry often focuses on transgender identity and how others, especially family, interact with that identity, though his more recent poetry starts thinking through how congenital heart disease impacts his identity.
AT UH, he worked on Volumes 20, 21, and 22 of Glass Mountain. He has been published by Z Publishing in Texas’s Best Emerging Poets, the Fall 2018 issue of The Tulane Review, and Shards Issue 4. .
11.9.2019 at Transart Foundation
Take a peek at one of our most recent events. This evening featured three amazing readers and an excellent musical artist--good times were had by all!
"An Interview with Transmedia Artist, Reema Farra"
A brief interview with local artist and writer Reema Farra discussing her book, her inspirations, method, and experience.
Who'd a Thunk is moreso a non-traditional experiment in the creation of music and sound and the expansion of 'The Funk'. Focusing more on ideas made from passion of sound, rhythm, and feeling, rather than following modern music formula and producing for-profit works, Who'd a Thunk? creates soundscapes aimed to inspire further thought and creation based on an amalgamation of everything listened to, enjoyed, studied, or experienced. Feel 'The Funk'. Who'd a Thunk?
DONATIONS & ARCHIVES
Do you share our passion for the arts? Do you want to hear and see the works of more marginalized voices? Do you want to see Defunkt doing more cool stuff in the community? If you answered yes to any of these questions please consider donating to our cause.
WANT TO SEE AN OLD VOLUME?
You can check out all of our previous publications here via PDF.
ARCHIVED VIDEO CONTENT
VOLUME ONE CONTENT - PUBLISHED AUGUST 1, 2019
"Bleeding Kimchi: Director's Reel"
"An Interview with author, Daniel Peña"
Christopher Miguel Flakus
"An Interview with artist, Rose Stern"
"An Interview with Fran Sanders"
Christopher Miguel Flakus
VOLUME ONE LAUNCH PARTY FOOTAGE
SUBMIT TO US AT:
MEDIUMS WE ARE LOOKING TO PUBLISH & PROMOTE
Poetry & Prose
Music,Visual, & Performance Art
We are currently accepting submissions for all sections of the magazine, as well as considerations for events and requests for reviews. Requests for reviews, interviews, and event collaborations as well as any questions regarding the guidelines should be sent via email.
ALL SUBMISSIONS MUST CONTAIN THE SECTION IN THE SUBJECT LINE WITH AN ARTIST BIO
SEPERATE EMAILS ARE REQUIRED FOR SEPERATE SECTIONS
ALL VIDEO SUBMISSIONS MUST BE VIA YOUTUBE LINK
Please note that Defunkt Magazine requires First Serial Rights on all submissions /all mediums and that all published works may be considered for our annually printed anthology.
Fiction. Non-Fiction, Blogs
Please utilize Word or PDF via attachment. No minimum. 20 page Maximum. Blogs are limited to 3000 words per entry.
Visual, Performance, & Music
Please utilize a high quality JPEG, with a minimum resolution of 300 PSI via attachment. 5 piece maximum per entry. Performance videos should be 10 minutes or less. Music submisions accepted via soundcloud, spotify, or video.
Written or Performance Videos
Please utilize Word or PDF via attachment. No minimum. 5 poem maximum per entry, not to exceed 20 pages. Performance videos should be 10 minutes or less.
FAILURE TO FOLLOW THE ABOVE GUIDELINES WILL RESULT IN IMMEDIATE REJECTION
However, to be considered for publication in Volume Three you must submit by:
MIDNIGHT on January 31, 2020
OFFERING ONE ON ONE CONSULTATIONS IN
Poetry & Prose
We know that sometimes all you need is someone to read it and tell you what's missing and we're here to help! Defunkt is proud to offer our site as a platform for you to connect with a professional in your medium. We want this to be a very thorough and intimate experience for everyone so there are a few ground rules for manuscript evaluations:
20 page limit, Double-Spaced, 12 pt. font, if an excerpt, please include an outline of the work and a letter of intention.
5 poem limit per Consulting Session, not to exceed 10 pages.
ALL CONSULTANTS MAY CHOOSE TO REVIEW LONGER WORKS AT THEIR DISCRETION. PLEASE EMAIL DEFUNKTMAG.EDITORS@GMAIL.COM FOR MORE INFORMATION OR TO CHECK AVAILABILITY. STANDARD SESSION RATE IS $55 PER MANUSCRIPT.
Things to include in this email: Author/Consultant you want to work with if specific, manuscript details: genre & page count, also please let us know if there is a timetable you are trying to maintain.
Offering Consultations for:
Poetry, Micro Memoir, Flash Non Fiction and the Personal Essay.
CAIT WEISS ORCUTT’s work has appeared in Boston Review, Chautauqua, FIELD, The Academy of American Poets and more. Her poems have been nominated for a Pushcart Prize, Best New Poets and Best of the Net, and her manuscript VALLEYSPEAK (Zone 3, 2017) won Zone 3 Press’ First Book Award, judged by Douglas Kearney, and an Independent Publisher's Book Award for Poetry. Her CNF has appeared in The Pinch, Bust Magazine, and The Fem. Cait has an MFA from The Ohio State and is currently getting her Ph.D. in Poetry from the University of Houston while working on a Creative Non Fiction side project. She teaches creative writing at UH, Grackle and Grackle, Inprint, WITS, the Salvation Army, the Menil Collection, and the Jewish Community Center. She is the recipient of an Inprint C. Glenn Cambor/MD Anderson Foundation Fellowship.
Offering Consultations for:
Any genre of creative writing.
Justin Jannise studied creative writing at Yale and the Iowa Writers' Workshop and is currently a Ph.D. student at the University of Houston. His work has appeared or is forthcoming in Copper Nickel, New Ohio Review, Columbia Journal, Yale Review, The Awl and Zócalo Public Square. He is the Editor-in-Chief of Gulf Coast and the recipient of an Inprint Marion Barthelme Prize.
Offering Consultations for:
Fiction, Flash Fiction, Mixed Genre, Nonfiction, Poetry, & Graphic Narrative.
Brendan Stephens is a writer and musician from Maryland. His work has appeared in Epoch, Southeast Review, Notre Dame Review, Carolina Quarterly, SmokeLong Quarterly, and elsewhere. He has won an Inprint Donald Barthelme Prize and Backbone Mountain Review Prize and was second place in the Into the Void Fiction Prize. He has received an MFA from the University of Central Florida and an MAT from Frostburg State University. Currently, he is in the PhD program at the University of Houston where he is the assistant online fiction editor for Gulf Coast.
Offering Consultations for:
Literary Fiction, Genre Fiction, and Nonfiction.
Obi Umeozor received his B.A. in English from the University of Port Harcourt, Nigeria and taught English Literature before moving to the States in 2015, where he obtained an MFA in Creative Writing from Florida State University. His work has appeared and is forthcoming in the New Orleans Review, Shift, adda and others. He has been shortlisted for the Commonwealth Short Story Prize and nominated for the Pushcart Prize, and is currently a PhD (Fiction) candidate at the University of Houston’s Creative Writing Program.